Women photographers in Angola and Mozambique (1909-1950): A history of an absence

«Women photographers in Angola and Mozambique (1909-1950): A history of an absence» é o novo capítulo de Inês Vieira Gomes (ICS-UL), inserido no livro “Women and Photography in Africa. Creative Practices and Feminist Challenges”, editado por Darren Newbury, Lorena Rizzo e Kylie Thomas (Routledge, outubro de 2020).

Nas palavras dos editores: “The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent [Africa], and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories.” [resumo completo e índice disponível aqui]

 

Resumo do capítulo de Inês Vieira Gomes: 
This chapter examines the uses of photography by women within the Portuguese colonies of Angola and Mozambique during the colonial period, and will consider what part their images played in the production of a colonial imaginary. The aim of the chapter is to analyse the work of four women who travelled to Mozambique and Angola from 1909 to 1950, coincident with the consolidation of the Portuguese colonial empire. These women did not live in Angola and Mozambique but travelled to these territories for short periods of time and for different reasons: Hélène of Orléans (Mozambique, 1909); Dorothea Frances Bleek and Mary Pocock (Angola, 1925); and Helena Côrrea de Barros (Angola, 1950).

 

Palavras-chave:
Hélène of Orléans; Dorothea Frances Bleek; Mary Pocock; Helena Côrrea de Barros; Portugal; Angola; Mozambique; colonialism; travel

Imagens:

Capa do novo livro

‘A Diana in Africa’, Harper’s Weekly, 12 March 1910 (pormenor)

‘Overland to Lobito Bay. The Venturesome Journey of Two Ladies. End of a long trek. By M. A. P.’, Cape Times, 1 January 1926 (pormenor)