{"id":6414,"date":"2021-02-15T20:57:32","date_gmt":"2021-02-15T20:57:32","guid":{"rendered":"https:\/\/gi-imperios.org\/blog\/?p=6414"},"modified":"2022-10-15T09:24:38","modified_gmt":"2022-10-15T09:24:38","slug":"an-angolan-vernacular-language-fiction-film-as-para-ethnographic-film","status":"publish","type":"post","link":"https:\/\/gi-imperios.org\/blog\/pt\/an-angolan-vernacular-language-fiction-film-as-para-ethnographic-film\/","title":{"rendered":"An Angolan vernacular-language fiction film as para-ethnographic film"},"content":{"rendered":"

\"\"In\u00eas Ponte publicou o artigo “An Angolan vernacular-language fiction film as para-ethnographic film: Nationalism and the evolving politics of film circulation and reception” na revista internacional History and Anthropology <\/em>(Reino Unido).<\/p>\n

Atrav\u00e9s do estudo de caso de Nelisita<\/em>, uma longa-metragem de fic\u00e7\u00e3o angolana em l\u00edngua vernacular, o artigo aborda o cinema africano e as suas rela\u00e7\u00f5es vari\u00e1veis com o cinema etnogr\u00e1fico, festivais de cinema e cinema popular, atrav\u00e9s de uma cadeia cinematogr\u00e1fica que inclui desde a produ\u00e7\u00e3o at\u00e9 \u00e0 recep\u00e7\u00e3o nestess contextos.<\/p>\n

Abstract<\/em><\/p>\n

This article examines\u00a0Nelisita<\/i>\u00a0(Carvalho, 1982), an Olunyaneka-language feature fiction film made in the early years of Angolan cinema, and draws a historiography of its marginal production and ensuing scattered reception. Combining a historical approach to the film\u2019s production and circulation, with an ethnographically-driven analysis of its recent screenings at a village sharing an Olunyaneka background, I discuss insights gained from its reception by an audience familiar with the cultural context portrayed on screen. Along with the history of the film\u2019s production and circulation, the villagers\u2019 engagement with the film sheds light on the evolving politics of cinema in Africa, particularly the complex relationships between popular and film festival audiences, film studies and visual anthropology. I examine shifting continuities and ruptures with regards to the film\u2019s intricate social history, and analyse the production and reception of\u00a0Nelisita<\/i>\u00a0as an experiment that highlights differing ways in which films can work as a contact zone.<\/p>\n

Full citation: Ponte, Ines, (2021) “Angolan vernacular-language fiction film as para-ethnographic film: Nationalism and the evolving politics of film circulation and reception<\/a>“,\u00a0History and Anthropology<\/i>, 4 February. DOI: 10.1080\/02757206.2021.1881079<\/a><\/p>\n

Para aceder ao ‘accepted manuscript’, clique .<\/p>\n

Veja a trajet\u00f3ria de exibi\u00e7\u00e3o de Nelisita<\/em> entre 1982 and 2000s aqui<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

In\u00eas Ponte, History and Anthropology. 2021. A cadeia cinematogr\u00e1fica da produ\u00e7\u00e3o \u00e0 recep\u00e7\u00e3o de ‘Nelisita’ (1982), filme angolano falado em Olunyaneka, como campo din\u00e2mico que cruza o cinema africano, filme etnogr\u00e1fico e cinema popular.<\/p>\n","protected":false},"author":4,"featured_media":6514,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_cbd_carousel_blocks":"[]","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[286,89,77,40],"tags":[9,254,96,102,288,285,275],"class_list":["post-6414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest-articles","category-filme","category-publicacao","category-investigacao","tag-angola","tag-art","tag-ethnography","tag-film","tag-indigenous-knowledge","tag-visual-culture","tag-article"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"pt","enabled_languages":["en","pt"],"languages":{"en":{"title":true,"content":true,"excerpt":true},"pt":{"title":true,"content":true,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/posts\/6414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/comments?post=6414"}],"version-history":[{"count":16,"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/posts\/6414\/revisions"}],"predecessor-version":[{"id":6525,"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/posts\/6414\/revisions\/6525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/media\/6514"}],"wp:attachment":[{"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/media?parent=6414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/categories?post=6414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/pt\/wp-json\/wp\/v2\/tags?post=6414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}