{"id":2834,"date":"2019-04-11T15:31:21","date_gmt":"2019-04-11T15:31:21","guid":{"rendered":"https:\/\/gi-imperios.org\/blog\/?p=2834"},"modified":"2020-12-20T01:48:14","modified_gmt":"2020-12-20T01:48:14","slug":"representacoes-visuais-da-asia-portuguesa-perspectivas-criticas","status":"publish","type":"post","link":"https:\/\/gi-imperios.org\/blog\/representacoes-visuais-da-asia-portuguesa-perspectivas-criticas\/","title":{"rendered":"Representa\u00e7\u00f5es Visuais da &#8216;\u00c1sia Portuguesa&#8217;. Perspectivas Cr\u00edticas"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2907 \" src=\"https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-724x1024.jpg\" alt=\"\" width=\"306\" height=\"433\" srcset=\"https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-724x1024.jpg 724w, https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-212x300.jpg 212w, https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-768x1087.jpg 768w, https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-250x354.jpg 250w, https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-550x778.jpg 550w, https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-800x1132.jpg 800w, https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-127x180.jpg 127w, https:\/\/gi-imperios.org\/blog\/wp-content\/uploads\/2019\/04\/Cartaz-Representa\u00e7\u00f5es-Visuais-23-Abril-FV-MCP-2-page-001-353x500.jpg 353w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/>No pr\u00f3ximo dia 23 de Abril de 2019, no audit\u00f3rio Sedas Nunes do ICS-ULisboa, decorrem as jornadas de trabalho &#8216;<strong>Representa\u00e7\u00f5es Visuais da &#8220;\u00c1sia Portuguesa&#8221;. Perspectivas Cr\u00edticas&#8217;<\/strong>, organizadas por Maria do Carmo Pi\u00e7arra, investigadora visitante do ICS-ULisboa, e por Filipa Lowndes Vicente, investigadora e subdiretora do ICS-ULisboa.<\/p>\n<p>Esta jornadas inserem-se no \u00e2mbito da investiga\u00e7\u00e3o &#8216;&#8221;<strong>Cinema imp\u00e9rio&#8221;. Representa\u00e7\u00f5es da &#8220;\u00c1sia portuguesa&#8221; nos arquivos f\u00edlmicos&#8217;<\/strong>, que Maria do Carmo Pi\u00e7arra vem realizando desde Outubro de 2018 com uma bolsa para pesquisa da Funda\u00e7\u00e3o Oriente, e incluir\u00e1, al\u00e9m da apresenta\u00e7\u00e3o dos resultados intercalares da pesquisa em curso, comunica\u00e7\u00f5es dos investigadores Rui Lopes (IHC-UNL), Ricardo Roque (ICS-ULisboa), Filipa Lowndes Vicente (ICS-ULisboa) e Rosa Maria P\u00e9rez (CRIA\/ISCTE-IUL), para al\u00e9m das investiga\u00e7\u00f5es art\u00edsticas do realizador Jo\u00e3o M\u00e1rio Grilo (IFILNova) \u2013 \u201cDesvelar Os olhos da \u00c1sia\u201d &#8211; e do fot\u00f3grafo Jos\u00e9 da Costa Ramos \u2013 \u201cC\u00e3es de Goa. Why look at animals\u201d.<\/p>\n<p>A encerrar os trabalhos ser\u00e1 apresentado o document\u00e1rio\u00a0<em><strong>Saxtticho Koddo &#8211; The Granary\u00a0<\/strong><\/em><em><strong>of Salcete<\/strong><\/em> do realizador go\u00eas Vince Costa, com a presen\u00e7a do pr\u00f3prio e o coment\u00e1rio do investigador Jason Keith Fernandes (CRIA\/ISCTE-IUL).<\/p>\n<p><strong>Programa<\/strong><\/p>\n<p><strong>10:00-10:40<\/strong> Maria do Carmo Pi\u00e7arra (ICS-ULisboa\/ICNova\/UAL) <em>\u201cCinema Imp\u00e9rio\u201d. Projec\u00e7\u00f5es dos arquivos e uma constela\u00e7\u00e3o de perguntas<br \/>\n<\/em><br \/>\n<strong>10:40-11:20<\/strong> Rui Lopes (IHC-UNL) <em>Macau no cinema e na televis\u00e3o americana dos anos 50<br \/>\n<\/em><br \/>\n<strong>11:20-11:30<\/strong> Pausa para caf\u00e9<\/p>\n<p><strong>11:30-12:10<\/strong> Ricardo Roque (ICS-ULisboa) <em>Horrores luso-tropicais: algumas imagens de Timor<br \/>\n<\/em><br \/>\n<strong>12:10-13:00<\/strong> Olhares art\u00edsticos<br \/>\nJo\u00e3o M\u00e1rio Grilo (realizador\/IFILNOVA) <em>Desvelar \u201cOs olhos da \u00c1sia\u201d<\/em><br \/>\nConversa moderada por Maria do Carmo Pi\u00e7arra<\/p>\n<p><strong>13:00-14:00<\/strong> Almo\u00e7o<\/p>\n<p><strong>14:00-14:40<\/strong> Filipa Lowndes Vicente (ICS-ULisboa) V<em>iagens de fotografias entre Goa e os arquivos<br \/>\n<\/em><br \/>\n<strong>14:40-15:20<\/strong> Rosa Maria Perez (CRIA\/ISCTE-IUL) <em>Est\u00fadio Ganesh: fotografia e mem\u00f3ria em Goa<br \/>\n<\/em><br \/>\n<strong>15:20-16:00<\/strong> Olhares art\u00edsticos<br \/>\nJos\u00e9 da Costa Ramos (fot\u00f3grafo\/ investigador independente) <em>C\u00e3es de Goa. \u201cWhy look at animals\u201d<br \/>\n<\/em><br \/>\n<strong><em>1<\/em>6:00-16:10<\/strong> Pausa para caf\u00e9<\/p>\n<p><strong>16:10-17:30<\/strong> <em>Saxtticho Koddo &#8211; The Granary of Salcete<\/em> (2018, 38\u2019, Vince Costa)<br \/>\nProjec\u00e7\u00e3o com a presen\u00e7a de Vince Costa. Coment\u00e1rio por Jason Keith Fernandes (CRIA\/ISCTE-IUL) seguido de debate.<\/p>\n<p><strong>Entrada livre.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>No pr\u00f3ximo dia 23 de Abril de 2019,\u00a0no audit\u00f3rio Sedas Nunes do ICS-ULisboa, decorrem as jornadas de trabalho &#8216;Representa\u00e7\u00f5es Visuais da &#8220;\u00c1sia Portuguesa&#8221;. Perspectivas Cr\u00edticas&#8217;, organizadas por Maria do Carmo Pi\u00e7arra e Filipa Lowndes Vicente.<\/p>\n","protected":false},"author":7,"featured_media":2843,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_cbd_carousel_blocks":"[]","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[32,34],"tags":[97,68,102,20,145,108,18,285],"class_list":["post-2834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-encontro","category-seminario","tag-archive","tag-asia","tag-film","tag-india","tag-macau","tag-fotografia","tag-timor","tag-visual-culture"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["en","pt"],"languages":{"en":{"title":true,"content":true,"excerpt":true},"pt":{"title":true,"content":true,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/posts\/2834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/comments?post=2834"}],"version-history":[{"count":20,"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/posts\/2834\/revisions"}],"predecessor-version":[{"id":2845,"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/posts\/2834\/revisions\/2845"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/media\/2843"}],"wp:attachment":[{"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/media?parent=2834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/categories?post=2834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gi-imperios.org\/blog\/wp-json\/wp\/v2\/tags?post=2834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}